“Working with Frost is a joy and his beautiful posters are the gift we give ourselves at the end of each film. We can point to Frost’s key art and say: there—that is what we meant.”
RIC BURNS, DIRECTOR
• OLIVER SACKS: HIS OWN LIFE
• DANTE: INFERNO TO PARADISE
• NEW YORK: A DOCUMENTARY FILM

“Our poster has perfectly shaped the direction of our entire campaign. It's eye-catching, a conversation starter, and has received millions of views. I absolutely recommend Frost and look forward to working with him again on future projects.”
LAHNA TURNER, DIRECTOR
COME WHAT MAY: THE LARGER THAN LIFE STORY OF RALPHIE MAY

“Frost is a true gem; extraordinary instincts and impeccable skills.”
JOSH ALEXANDER, PRODUCER
SARA BARIELLES: GOOD GRIEF

“Frost has a unique talent for helping filmmakers through the creative process.  I cannot think of a more successful and positive creative experience.”
JOHN DAVID COLES, DIRECTOR
THE CHOICE

“Frost is a true creative ally. He asks the right questions and delivers on every request. An absolute pleasure to work with.”
STEVE FARR, CO-DIRECTOR
UECK: THE BOB UECKER STORY

“I’ve worked with Frost on multiple film posters now, and each one has been more gorgeous, impactful, and unique than the last. Matt has an extraordinary versatility and creative vision. He somehow finds the perfect visual language for every film, always delivering something fresh and unexpected. People constantly tell me I have some of the best posters of any filmmaker they know. I always tell them the secret is Matt Frost. I’m so grateful for our collaborations and can’t imagine working with anyone else.”
JEREMY WORKMAN, DIRECTOR
• SECRET MALL APARTMENT
• WORLD BEFORE YOUR FEET
• SCHOOL FOR DEFECTORS
• LILY TOPPLES THE WORLD

“Frost has a gift for discovering the feeling of a film and then shaping a design that gathers the whole story into a single frame. He is a generous collaborator who asks good questions and keeps his sense of humor through every round of notes.”
NICHOLAS BRUCKMAN, DIRECTOR
• NOT GOING QUIETLY
• MINTED: THE RISE (AND FALL?) OF THE NFT
• THE PRICE OF MILK